many things at the festival both high — opening the Werner Herzog Cinema as Ringmaster and, of course, the world premiere of ‘Moonlight’ — and low (rolling up the floor of the Max at festival’s end was a rite of passage).
When I was approached about curating the Filmmakers of Tomorrow program many years ago, I was honored to be invited deeper into the inner workings of the festival I loved so dearly; being invited to curate a program as Guest Director is an honor my 2002 self would never imagine.
We’ve all been tucked away in our silos longing for the day when we can safely venture out into communal spaces to once again partake in the rituals of cinema we love so dearly.
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