Jessica Kiang In a gated compound camouflaged by the thick, dripping vegetation of inland Indonesia, all is quiet. A curtain may stir.
The hushed commentary on a TV chess match may mutter indistinctly. An insect or two may chirrup. But mostly, this dark-cornered, sinister place, which is being minded by callow young caretaker Rakib (Kevin Ardilova), feels eerily still and expectant, like a spiderweb waiting for the return of its spider.
Makbul Mubarak’s “Autobiography” — the Indonesian filmmaker’s impressive debut — gives a “Godfather”-style, power-corrupting-the-naive story the Conradian overtones of “Apocalypse Now.” But with its powerful sense of mood, it emerges from Coppola’s shadow by summoning evocative, specific shadows of its own, out of Indonesia’s troubled, genocidal, terrifying past.
The spider returns. General Purna (Arswendy Bening Swara), recently a towering figure in the military dictatorship, has retired and is coming home to run for Mayor of the region.
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