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‘Amira’ Review: A Clumsily Cranked-Up Collision Between Paternity, Patriarchy and Palestinian Identity

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variety.com

Jessica Kiang Since 2012, more than 100 children have been conceived using the smuggled-out sperm of incarcerated Palestinians — or so it is claimed by the end titles of Mohamed Diab’s “Amira.” But here, this phenomenon, the mechanics of which make for a genuinely riveting first act, is somehow judged not dramatically fertile enough to carry an entire film.

Instead, Diab’s increasingly tin-eared, hysterical story, co-written with his siblings Khaled and Sherin Diab, devolves into a socio-politically dubious and narratively nonsensical muddle, which may actually be a disguised blessing.

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