Paul Mescal enters the north London cafe having trudged a short distance through the snow from his gym. Heads turn, but Mescal is oblivious.
He shakes himself out of a hooded coat then nonchalantly removes a sweater to reveal a ribbed torso sheathed in a white T-shirt.
More stares. The star of Aftersun, Scottish director Charlotte Wells’s tender visual poem about a father and daughter, takes a seat and rubs his tummy.
In that moment it’s all too easy to compare him to Marlon Brando, with the tight-ish whitey shirt and all that. As it happens, the Irish-born actor is playing one of Brando’s signature roles: the brutish but passionate Stanley Kowalski in Tennessee Williams’ landmark play A Streetcar Named Desire, at the Almeida Theatre, a five-minute walk away from where we’re breakfasting.
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