Trish Deitch There are no props in director Jamie Lloyd’s version of Henrik Ibsen’s drama “A Doll’s House” — no sets, no costumes (just plain contemporary clothing in dark blue), not even a curtain.
There’s no dress to be mended, no mailbox, no letter to be read, no cigar to be lit, no children. There are no acts, though Ibsen wrote his 1879 play in three.
All you see when you enter the theater is a vast, empty shell of a Broadway stage, the bright houselights exposing the building’s industrial brick walls whose paint has faded from show to show, and a few wooden chairs stacked in back.
Oh, and there’s Jessica Chastain, her red hair pulled back, seated in a wooden chair on a turntable and slowly circling the stage in a simple blue dress.
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