At more than a few points during Jamie Lloyd’s hypnotic Broadway revival of Ibsen’s A Doll’s House, you could swear that stars Jessica Chastain and Succession‘s Arian Moayed are confiding in you, whispering their secrets to no one else.
This stark, sometimes chilly production is an eavesdropper’s paradise, so intimate and conversational that all but the most guarded among us will be immune to its frequent enticements.
Perhaps “most guarded” isn’t fair. There are others who might resist the show’s languid entreaties. Any aversion to minimalism or even the vaguely avant-garde might spur disappointment in this production.
There are no period costumes here, no homey 19th century furnishings or Christmas trees in sight. This Doll’s House, opening tonight at the Hudson Theatre, is as much suggestion as action, our main character seated in a chair throughout nearly all of the play, even when she dances.
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